October 10 - November 8, 2025
Installation view - front gallery
Installation view - front gallery
Installation view - back gallery
Installation view - back gallery
A shadowshaper channels ancestral spirits into works of art.*
The light-absorbing blackness of Lonnie Hutchinson's signature builder's paper and powder-coated aluminum evokes Polynesian creation narratives. In Te Ao Māori, these are expressed as Te Kore (the great nothingness) and Te Pō (the perpetual night)—states of latent being and potential where consciousness gradually stirs within darkness. The appearance of light awakens Te Ao Mārama (the world of light and life) where we exist.
In Hutchinson's new work Skin to Skin, the paper itself embodies Te Kore and Te Pō. The dense folds of the paper hold a deep velvety darkness—much more than the finely cut motifs that let the light in. For this work, Hutchinson notes, "the knife becomes the chisel." The pou-like forms echo traditional carving practices, with chevron and half-moon patterns evoking chisel marks found in Polynesian carving, particularly traditional Tangaroa figures.
The four matte black paper cutout works draw on Hutchinson's rich archive of motifs. In the realm of Tangaroa, the light and delicate Karengo is the shoreline seaweed traditionally harvested by Māori as a source of food. You Lead the Way pairs Hammer head shark—who never gives up—with a Polynesian shell pattern forming a more dense surface. Follow The Light offers her take on the classic Kowhaiwhai motif.
Shadow Shaper also includes a selection of early finely cut works from Hutchinson's back catalogue. Deep Pools faces you as you enter the small gallery, telling stories of the whenua and featuring an early appearance of Hutchinson's well-known tanamonkey/taniwha motif. In the intimate space, the scale, precision, and fine detail of the works create a striking atmosphere of reverence.
The shield works merge Hutchinson's Celtic and Polynesian whakapapa into forms reminiscent of circular protective Celtic shields. They feature Polynesian plant motifs and the celestial bodies. In the work Sun Star Moon the motifs are light surrounded by the darkness of unknown parts of the universe, the places of potential.
Charlotte Huddleston
*see Daniel José Older's Shadowshaper
Selected works
![]() |
![]() |
Bull's Eye | I Can See You |
![]() |
![]() |
Follow the Light | Let's Dance |
![]() |
![]() |
![]() |
Hidey-Hole | Before | Tonga o te ra |
![]() |
![]() |
Tonga o te ra (detail) | Deep Pools (detail) |
Skin to Skin
![]() |
![]() |
Skin to Skin |
Karengo
2025
Powdercoated aluminium, edition of 6
1200mm diameter
Exhibited in
Shadow Shaper
2025
Powdercoated aluminium, edition of 6
1200mm diameter
Exhibited in
Shadow Shaper
2025
Powdercoated aluminium, edition of 6
1200mm diameter
Exhibited in
Shadow Shaper
2025
Powdercoated aluminium, edition of 6
1200mm diameter
Exhibited in
Shadow Shaper
2025
CNC-cut building paper
1200 x 350 (midpoint) x 70mm
Exhibited in
Shadow Shaper
2025
CNC-cut building paper
1200 x 350 (midpoint) x 70mm
Exhibited in
Shadow Shaper
2025
CNC-cut building paper
1200 x 1000 x 70mm
Exhibited in
Shadow Shaper
2025
CNC-cut building paper
1200 x 1000 x 50mm
Exhibited in
Shadow Shaper
2025
8 works in handcut building paper
1200 x 330 x 170mm ea.
Exhibited in
Shadow Shaper
2014
Handcut building paper
2600 x 720 x 100mm approx.
Exhibited in
Shadow Shaper
2010
Handcut building paper
2600 x 720 x 100mm approx.
Exhibited in
Shadow Shaper
2010
Handcut building paper
2600 x 720 x 100mm approx.
Exhibited in
Shadow Shaper
2015
Handcut building paper
2600 x 720 x 100mm approx.
Exhibited in
Shadow Shaper
2016
Handcut building paper
2600 x 720 x 100mm approx.
Exhibited in
Shadow Shaper
2015
Handcut building paper
2600 x 720 x 100mm approx.
Exhibited in
Shadow Shaper
2017
Handcut building paper
2600 x 720 x 100mm approx.
Exhibited in
Shadow Shaper