Fiona PardingtonBorn Devonport, Auckland, Aotearoa, New Zealand, 1961. 1984 - Bachelor of Fine Arts Degree (Photography) School of Fine Arts, Auckland University, New Zealand. Website: www.fionapardington.com Selected Solo Exhibitions2006 - Southern Maori Rock Art, Jonathan Smart Gallery, Christchurch 2005 - Without you, McNamara Gallery, Wanganui, NZ 2005 - Eight Shells, Jonathan Smart Gallery, Christchurch, New Zealand. 2004 - New work, Bartley Nees Gallery, Wellington, New Zealand. 2002 - Mauri Mai/ Tono Ano, Jonathan Smart Gallery, Christchurch, NZ and Snowhite Gallery, Unitec, Auckland, NZ. 2001 - One Night of Love, Waikato Museum of Art and History, Hamilton, NZ 1997 - Proud Flesh, Jonathan Smart Gallery, Christchurch, New Zealand. 1996 - There's No Right Way to Do Me Wrong, Sue Crockford Gallery, Auckland, 1995 - Unprotected, Jensen Gallery, Wellington, Jonathan Smart Gallery, Christchurch, New Zealand 1994 - Tainted Love, Sue Crockford Gallery Auckland, Jonathan Smart Gallery, Christchurch, New Zealand. 1993 - His Vile Fancy, Jonathan Smart Gallery, Christchurch, New Zealand. 1990 - The Journey of the Sensualist, Sue Crockford Gallery, Auckland. 1989 - Night of the Senses, Sue Crockford Gallery, Auckland and Southern Cross Gallery, New Zealand Selected Group Exhibitions2006 - Within Memory: Aspects of New Zealand documentary photography 1960- 2000 - Wellington, New Zealand. 2003 - Pressing Flesh, Skin, Touch, Intimacy, Auckland Art Gallery Toi O Tamaki, Auckland, NZ 2002 - Slow Release: Recent Photography from New Zealand, Heide
Museum of Modern Art, Melbourne, Australia and Adam Gallery, Victoria
University 2001 - Prospect 2001 New Art New Zealand, City Gallery, Wellington, NZ 1999 - Tino Rakatirataka Kai Tahu, Christchurch Polytechnic, Christchurch, New Zealand 1995 - Cultural Safety, Aktuelle Kunst Aus Neuseeland, Frankfurter Kunstverein and the Ludwig Forum, Aachen, Germany. 1994 - Te Hono O Nga Motu Rua/ The Joining of the Two Islands, Te Taumata Gallery, Auckland, NZ 1993 - Alter/ Image: Feminism and Representation in New Zealand Art,
1973- 1993, City Gallery Wellington and Auckland City Art Gallery,
Auckland NZ 1992 - Implicated and Immune: Artists Respond to HIV/ Aids Crisis, Fisher Gallery, Auckland, NZ 1990 - Now, See, Hear! Art, Language and Translation, Wellington City Art Gallery, Wellington, NZ 1989 - Imposing Narratives: Beyond the Documentary in Recent New
Zealand Photography, Wellington City Art Gallery, Wellington, NZ Gregory Burke, 'An Indeterminate Surface' and Priscilla Pitts, "Exchanging Looks: Aspects of Gender and Representation in Contemporary Photography', Imposing Narratives; Beyond the Documentary in Recent New Zealand Photography, Wellington City Art Gallery, Wellington, NZ 1990 pp 7 -21 Gregory Burke, 'Cultural Safety', Cultural Safety, Contemporary Art From New Zealand, Frankfurter Kunstverein/ City Gallery, Wellington, Te Whare Toi, 1995 Christian Huther, 'Cultural Safety/ Actuelle Kunst aus Neuseeland' (
Kunstverien , Frankfurt au Main), Kunstforum International No 131,
August-October 1995 PP 378-9 Giovanni Intra, 'A Case History: Tainted Love', Exhibition Catalogue, Milk Powder Press, Auckland. Anne Kirker, 'Flipping the Coin: Fiona Pardington's Photo- Constructions', Art New Zealand, No 48, Auckland, New Zealand, Spring 1988 pg 47-49 Elizabeth Knox, 'Fiona Pardington', Pleasures and Dangers, Trish Clark and Wystan Curnow (eds), Longman Paul and Moet & Chandon New Zealand Art Foundation, 1991, pp 2-13 Gynneth Porter, Black and White and Dead all Over, Midwest, No 9 1996, pp 22-27
Allan Smith, 'Romanticist and Symbolist Tendencies in Recent New Zealand Photography', Art New Zealand, No 64, Auckland, New Zealand, Spring 1992, p 80
Paul Thompson, New Zealand, A Century of Images, Te Papa Press, Wellington, 1998 pp162 |
